This is a live in the studio version of “The Street Below” from my debut album, Jamie Bonk. I wrote this tune all the way back in 1991 when Sonya and I were living in an apartment on a somewhat busy downtown Toronto street. We’re living in an apartment in Port Moody now, above a different (and thankfully calmer) street, but for me not a lot has changed. I still like looking at the traffic passing by, still like staying up way too late and I still like (even after 30 years!) playing “The Street Below”. Thank you for taking the time to listen and, as always, I hope you like the music.
Category: What’s New
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“Little Bit” – Nominated for Best Acoustic Single (8th Annual OWMR Awards)
My single “Little Bit” has been nominated for Best Acoustic Single (8th Annual OWMR Awards)!

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“Me and You” (Live in the Studio)
Here’s a live in the studio vocal version of my song “Me and You”. I recorded this originally as an instrumental on my album Who Said It Was Easy?, but I think it works pretty well as a vocal tune too. Hope you like the music!
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Art Focus Artists’ Association Virtual Art Show “Visions and Vistas”
So happy to have my music and some shots with me playing around Port Coquitlam included in the Art Focus Artists’ Association of Port Coquitlam Virtual Art Show “Visions and Vistas”. Art Focus, Babylon Film Studios and Tri-Cities Community TV did fantastic work putting together the four videos which showcase over 80 original artworks. For more info, please visit artfocusartistsassociation.com

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“Rain” (Live in the Studio)
From my second album, “A Perfect Tomorrow”, here’s a live in the studio version of “Rain”. I’ve played this tune on gigs for 20 years or so now and I’m still finding new things to add to it. All of the outdoor/non-studio shots are from right around here — either by the Inlet (Port Moody) or Barnet Marine Park (Burnaby).
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One World Music Radio Mini Playlist #6
Thanks to One World Music Radio for including my single “Little Bit” in their Mini Playlist #6!
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Limitless New Possibilities
Huge thanks to Sean Michael Paddison for giving me the opportunity to guest host on his show Limitless New Possibilities! Listen at http://oneworldmusicradio.com
Four Broadcast Times: 11:00am, 5pm, 11pm and 5am EST
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Time To Choose
Live in the studio vocal version of “Time to Choose” from my album Who Said It Was Easy?
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Neumann NDH 20 Headphones
Very occasionally a product works pretty much exactly how I would like it to. Checks all of the want/need boxes and actually goes beyond what I was hoping for. The Neumann NDH 20 Headphones that I picked up a little while ago are just about perfect for what I do (whether that’s writing, recording or engineering).
First off, the NDH 20’s are extremely comfortable, so I’m able to wear them for long periods of time. If headphones are uncomfortable in any way I just can’t use them — simply can’t concentrate on the music I’m working on. The build quality is also incredible. They feel rock solid and substantial. My guess is unless you are really hard on gear (I’m not), these headphones will last for a long, long time.
The NDH 20’s are closed back headphones, which is important for me. My studio is by a somewhat noisy road and the NDH 20’s cut out quite a bit of the stuff I don’t want to hear. This isn’t to say the headphones completely isolate me from all of the V8 pickups, muscle cars and leaf blowers, but they do help me to better focus on my music.
Obviously, sound quality matters a lot and can be very subjective. Some people want headphones (and/or speakers) to give them a hyped vibe (i.e. boatloads of low end, sizzling high end, etc.). I’m the opposite — I want whatever system I’m listening to to be as neutral as possible. This is where the NDH 20’s really shine. I have an Apogee Element 24 and when using the Neumann’s with that interface, the sound is very flat and remarkably clear. The headphones are also loud — they have way more output than I need.
So what’s not to like? Well… I don’t like the sound of the cable rubbing against my shirt. Neumann used a texturally rough cable and you can definitely hear the cable when it touches your clothes. The sound transfers inside the headphones. Also, they flipped the cable output — put the cable out on the right headphone instead of the left. Not a big deal and it actually works better for my setup, but still it’s different than I’m used to.
Would I recommend these headphones to someone? Maybe. Really depends on what you’re looking for. If you’re primarily a casual listener, then I’m not sure these guys are for you. I find the NDH 20’s to be very revealing — I hear details in music I’ve listened to forever that I never noticed before. Personally, when I’m listening to music for enjoyment, I can find it distracting to suddenly be aware of amp hiss, weird edit points, etc. On the other hand, if you’re working on the creative/production side of the equation, the Neumann NDH 20’s are an amazing tool and I’m happy I have the opportunity to use them.
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Little Bit
Just released a new single called Little Bit. Clocking in at just over two minutes (hence the title!), this is one of the few pieces I’ve written where the guitar part came to me pretty much complete. The incomparable Henrik Bridger added his first rate bass playing to the track and he truly lifted up the energy of the piece. Little Bit is available now digitally everywhere and, as always, I hope you like the music!
Listen on Spotify and Apple Music
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Port Moody Canada Day Virtual Celebration Concert
Thanks to the City of Port Moody for including me in their Virtual Canada Day Celebration Concerts! Truly had a great time playing my seven song set. Hope everyone is having a safe and happy Canada Day!!
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Art Focus Artists’ Association 2019 Fall Art Show & Sale
Happy to be playing at the Art Focus Artists’ Association 2019 Fall Art Show & Sale reception this Friday night from 7-9 PM. Always have fun playing in amongst all the paintings and getting to hang out with the great artists!

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#1 on the ReverbNation Local Instrumental Charts (Vancouver, BC)
Just hit #1 on the ReverbNation Local Instrumental Charts (Vancouver, BC)!
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New Acoustic Pedal Board

Put together a new acoustic pedal board yesterday. Pretty much in line with my ongoing quest to simplify/streamline my gear, this board is even more refined than my previous one. Just four pedals (Radial StageBug, TC Electronic Polytune 2, Mooer Radar with IR from 3 Sigma Audio and a TC Electronic Hall of Fame) all mounted on an Outlaw Effects Nomad Rechargeable Powered Pedal Board. It’s light, battery powered and most importantly, sounds amazing!
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“Who Said It Was Easy?” – Nominated for “Best Instrumental – Acoustic Album” (2019 ZMR Awards)
Pleased as punch that my new album, “Who Said It Was Easy?” has been nominated for “Best Instrumental – Acoustic Album” for the 2019 ZMR Awards! As the album title alludes, this was a tough record to make, so I’m particularly grateful for the nod. Thanks to ZMR for the nomination and best wishes to the other nominees!

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“Who Said It Was Easy?” – Nominated for “Best Acoustic Guitar Album” – One World Music Awards (2018)
Thank you One World Music — appreciate the nomination!

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Smooth-Jazz.de Review – “Who Said It Was Easy?”
Fantastic review of my new album, “Who Said It Was Easy?”, by smooth-jazz.de . Thank you Hans-Bernd Hülsmann!
Smooth-Jazz.de First View: Jamie Bonk – Who Said It Was Easy?
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New Album – “Who Said It Was Easy?”
My new album is here! Fourteen melodic guitar-based instrumental tracks influenced by Jazz, Rock and Folk and recorded in beautiful Vancouver, BC.
– Listen to the album –
– Download the album –
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Satin Laser Spa Port Moody Anniversary Celebration and Cancer Fundraiser
I’m playing at the Satin Laser Spa Port Moody Anniversary Celebration and Cancer Fundraiser this Saturday, February 24th (11AM – 3PM). 50% of all service proceeds and 10% of all product sold this day will be donated to Leukemia & Lymphoma Blood Cancer Research. I’ll also be selling my CDs for $10 each and donating $5 from each sale. If you’re in the area on Saturday, please drop by the event and say hi!







