Episode #4 of “No Tuition” features musician/painter Ron Scott. We chatted about Ron’s artwork, his compositional process, his love of looping and his work on TV shows such as “Corner Gas” and “Antique Roadshow”. Ron was kind enough to perform a number of examples of how he uses his looper in a live performance setting. Even though I’ve known Ron for over 20 years, this interview gave me a deeper insight into both his music and his painting.
Sometimes your expectations can play with you. That certainly was the case when I started reading Bob Dylan’s Chronicles (Volume One). I figured with the book titled Chronicles I would be reading a mostly point A to point B, story of my life biography. Well, I figured wrong.
Chronicles certainly has its fair share of “and then and then and then”. Most biographies have at least some degree of that sort of thing. But Dylan also leaves significant gaps in his story line. Gaps big and odd enough that I actually went back and looked to see if I had missed something. Or whether there were missing pages. The book also follows a circular structure – early life/career – middle life/career – early life/career. Couldn’t help but think of Pulp Fiction and how the film used a similar method to tell a story. Maybe Dylan was thinking about that too. Or maybe not.
It’s no secret that Dylan is a good songwriter and musician. Chronicles gives us a glimpse into just how well studied he was. He read, listened to and watched just about everything. He learned song after song after song. Played loads of gigs. He worked hard.
I learned a lot from reading Chronicles. Dylan has a brilliant way of looking at something and shifting perspective. Quite a few times I was left thinking, “Now that’s a unique way to think about that.”
Happy I read Chronicles (Volume One) and hoping for Chronicles (Volume Two).
In the late 80’s, after I graduated music school, I did all kinds of different music related things. I played freely improvised music, wrote and recorded guitar based fusion and I did studio work for a number of Toronto artists. I would generally play/record all of the instruments on a track (guitar, keys, program drums etc.) and occasionally a video would be made of a particular song. The photos below are from one of the video shoots I was lucky enough to be involved with. And no, I’m never growing the hair back.
Ken, this is a fantastic post! You’re right — if you care, you will be nervous.
Here’s “Don’t Be Late”, a song from the first episode of the animated children’s series Shelly and Kelly. I had huge fun working on this track and can’t wait to write more music!
Good article on the shift in the digital music world. I’ve had my own music on Grooveshark and haven’t seen a penny from it.
The music industry has been waging a bitter campaign against song-sharing sites for years and now, for better or worse, the industry is clearly winning. The latest evidence of this came Monday when a New York court ruled that the executives behind Grooveshark, a user-driven streaming site, had violated copyright and destroyed evidence.
In a 57-page ruling (see below), U.S. District Judge Thomas Griesa found that Grooveshark’s founders had ordered employees to upload thousands of unlicensed songs in order to burnish the site’s popularity. He also concluded that the executives, over the course of litigation with the music industry, had deleted records of the uploads and some of Grooveshark’s source code in an apparent effort to cover up their activities.
The tone of the ruling is harsh and concludes with a so-called judgment as a matter of law in favor of nine record labels, including [company]UMG[/company] and [company]Sony[/company]. For practical purposes, it will likely lead to [company]Grooveshark[/company] being shuttered…
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CBC Music just added “One Idea Leads To Another” from my new album “Necessity” to their Smooth Jazz Station!
Henry’s School of Imaging has been gracious enough to use my music for their new Ed Robertson (Barenaked Ladies) hosted series. Each episode in the series shows Ed learning (with one heck of a sense of humour!) how to take deeper control of his camera. Henry’s chose to use “Boundless” (featuring the one and only Jeff Oster) from my album 5 for the first episode of the series. Thanks Henry’s!
Great interview from a mastering master!
[Chris Castle interviews Bob Ludwig, the legendary mastering engineer.]
Mastering is the last and probably the least understood step in the audio recording process.
Mastering engineer Bob Ludwig is one of the true living legends of the music business. In addition to being a Grammy winning engineer, he has received many TEC Awards for excellence and was the first winner of the Les Paul Award from the Mix Foundation for setting the highest standards of excellence in the creative application of recording technology.
Bob is a classical musician by training, having obtained his bachelor’s and master’s degrees from the Eastman School of Music. Inspired by Phil Ramone, Bob ended up working with Phil at the legendary A&R Recording Studios in New York. After a few years at A&R Recording, Bob moved to Sterling Sound and then to Masterdisk as Chief Engineer. In 1993, Bob and his wife Gail…
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Thanks to KJAZZ Radio UK for the airplay and for adding me to their website!